I think it was appropriate to try out color at these stages. I'm glad to see you playing with perspective more, as in the top right thumb of the lower set. It gives a greater feeling of scale there than a straightforward drawing of a figure next to columns, especially compared to the one next to it. Putting the viewer into the ruins, too, helps place us emotionally with Mowgli. Plan out your perspective in all off them as well as you did there (though they don't need to be as pushed). The vistas don't have quite the believability in their perspective, and the flat-facing architecture doesn't invite us to explore as the more dynamic approaches do. The wolves are well painted and you're paying attention to anatomy. I'd urge you to push expression a bit more, however. They're all the same level of stern, and wolves/dogs can have a pretty wide array of emotion in their faces.
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I think it was appropriate to try out color at these stages.
I'm glad to see you playing with perspective more, as in the top right thumb of the lower set. It gives a greater feeling of scale there than a straightforward drawing of a figure next to columns, especially compared to the one next to it.
Putting the viewer into the ruins, too, helps place us emotionally with Mowgli.
Plan out your perspective in all off them as well as you did there (though they don't need to be as pushed). The vistas don't have quite the believability in their perspective, and the flat-facing architecture doesn't invite us to explore as the more dynamic approaches do.
The wolves are well painted and you're paying attention to anatomy. I'd urge you to push expression a bit more, however. They're all the same level of stern, and wolves/dogs can have a pretty wide array of emotion in their faces.
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